Kathak

Kathak is one of the six major classical dance forms of India and a prominent part of Uttar Pradesh music and dance traditions. It is often hailed as one of the most enchanting theatrical forms of the world. It derives its tradition and name from the story tellers or 'kathaks' of the older days. However, the rise of the Bhakti cult and the influence of the Persian artists in the courts of the Mughul kings started to give the art form its distinctive form as we find it now. In fact, every historical epoch in India, particularly Northern India has left its mark in the development of this kathak.

A kathak performance is traditionally divided into two distinct formal parts. The technical part is full of intricate rhythmic structures woven around a preordained rhythmic pattern. They include swift and masterly footwork called tatkar and exquisite circular movements or chakkars. Rhythmic units are woven around sort of long patterns called tukras and toras respectively.

The other part of kathak employs bhav or abhinaya which elucidates the emotive content of the subject matter. The content for kathak is often drawn from mythology, from the tales of the eternal love between Krishna and Radha. Because of its comprehensive nature and its wonderful visual attraction, kathak is an extremely popular dance form. According to some, a kathak performance typifies the movement of time from creation through preservation to destruction.

Lucknow and Varanasi are the two major centers which contributed largely to the development of kathak in Uttar Pradesh. Each of these styles is distinct, yet charming and equally rich. Together with Jaipur in Rajasthan, they complete the entire background of the development of kathak. Shambhu Maharaj, Achhan Maharaj and Pandit Ram Narayan Misra are some of the many maestros to grace this art form.